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The Story of Fei Ch’i-hao
1903 · 136 pages
The Story of Fei Ch’i-hao
by Fei Ch’i-hao
Why our edition. In the free scan at least 1 word in 178 is garbled. Ours corrects the damage. The full text is public domain and free — linked below.
Worth knowing about this scan: The free scan is the whole 1903 volume: Fei's narrative, then Luella Miner's sketch of K'ung Hsiang-hsi, which is not in our edition. Miner's preface says Fei's narrative was 'freely translated, with a few omissions'. No Chinese original is known to survive in print.
On this page: a summary of The Story of Fei Ch’i-hao, and our clean edition as a PDF or EPUB.
Fei Ch’i-hao was teaching at the mission school in Taigu, Shanxi, in the summer of 1900 when the Boxers killed almost every missionary and Chinese Christian he knew. He survived because he was Chinese and could pass where his teachers could not, and he spent months moving between villages, hunted, sheltered and betrayed by turns. He wrote this two years later, at twenty-two: “I want to write the story of my family, and of my experiences these past years, that my Christian brothers and sisters may know how God has led me.” It is a first-hand account of the Shansi massacres by one of the few Chinese Christians who lived through them and could write, in the English of Luella Miner, who translated it.
The changed life
Born in 1879 into a Christian family near Tongzhou, he was baptized at fifteen while at the mission academy there, and graduated from the mission college at nineteen. In 1900 the Boxer rising killed his missionary colleagues and most of his fellow believers in Shanxi, where he was teaching. He escaped to the coast, reached America in 1901, took a degree at Oberlin and a master's at Yale, and went home to teach.
Summary
Two Heroes of Cathay (1903) takes its subtitle literally: it is an autobiography and a sketch. The core is Fei Ch’i-hao’s own first-person account of his early life, his schooling, and his conversion to Christianity, told plainly and from the inside.
The book’s most gripping passages recount the Boxer Uprising of 1900. Fei describes the violence that swept Shanxi, in which most of his missionary colleagues and fellow believers were killed, and his own harrowing escape through danger and hiding. It is a survivor’s testimony as much as a conversion story, bearing witness to those who did not live through it.
Alongside Fei’s narrative, the volume includes a sketch of K’ung Hsiang-hsi (H.H. Kung), a Christian described as a seventy-fourth-generation descendant of Confucius. The book was edited and framed by the missionary Luella Miner, who gathered and presented the material, but the voice of the autobiography is Fei’s throughout.
Who was Fei Ch’i-hao?
Fei Ch’i-hao was a Chinese Christian from near Tongzhou, outside Beijing, baptized at fifteen, who was teaching in Shanxi province when he lived through the Boxer Uprising of 1900, one of the deadliest episodes for Chinese Christians and foreign missionaries in the country’s history. His autobiography preserves a rare first-person account of that persecution from a Chinese believer who survived it.
The book was edited by Luella Miner, an American missionary connected to the same mission circles, who framed and published Fei’s narrative together with a sketch of K’ung Hsiang-hsi (H.H. Kung), a Christian identified as a descendant of Confucius. Miner’s editorial hand shapes the volume, but Fei tells his own story in it.
Which edition of The Story of Fei Ch’i-hao is this?
The autobiography is Fei Ch’i-hao’s own first-person testimony as edited by Luella Miner, and our public-domain edition presents it in a clean, readable modern format with clear type, with a link to a free source.
This edition is Fei Ch’i-hao’s account of the Boxer Rising of 1900, as translated by Luella Miner and printed at New York by Fleming H. Revell in 1903. It follows Cornell University’s copy of that printing.
WHAT IS IN THE ORIGINAL VOLUME THAT IS NOT HERE, and why. The 1903 book is called Two Heroes of Cathay, and it is two stories. The first, which is this edition, is Fei’s own, written by him in the first person and running to some forty-three thousand words. The second is fourteen thousand words about a different man — K’ung Hsiang-hsi, later H. H. Kung, finance minister of the Republic — and it is not by him. It is Miner writing about him in the third person: “The boy was K’ung Hsiang Hsi, the hero of our sad story.” She explains why in her preface: “Were the story of Mr. K’ung’s boyhood days given as fully as is Mr. Fay’s, we should have a strongly contrasting picture.” He had not written it, so she did.
This library is first-person testimony — a man’s own account of his own life — and a missionary’s sketch of somebody else is a different kind of book. So Miner’s Part II and her closing chapter are not in this edition. They are in the free scan linked from this book’s page, entire, for anyone who wants them.
THE ONE THING WE CANNOT PUT RIGHT, and we would rather say it plainly than let a reader discover it. Miner’s preface states that Fei’s narrative “has been freely translated, with a few omissions.” Fei wrote in Chinese; what survives is her English. We have looked for the Chinese original and it does not appear to exist in print: it is in no library catalogue we can reach, it is not on the Internet Archive, there is no Chinese article about him, and the Biographical Dictionary of Chinese Christianity cites nothing for his life but this same book. If his manuscript survives at all it is unpublished, most likely among Miner’s papers at Oberlin.
We do not knowingly publish abridged texts. This is the exception, and it is made with the reasons in the open: there is no fuller version to prefer, the omissions cannot be measured because nothing survives to measure them against, and this is the only form in which a first-hand account of the Shansi massacres by a Chinese Christian who lived through them has come down to us at all. The translation is Miner’s and the voice, so far as we can tell, is Fei’s.
FOUR PRINTINGS WERE READ AGAINST EACH OTHER, all of the same 1903 setting. The catalogue had pointed at the Google digitisation, which is the worst of the five that exist, at one suspect word in 114; Cornell’s reads one in 178 and is the base here. Twenty-eight readings in this text come from the other three copies, and each is recorded with its context in the collation logs kept with the edition. The result is the cleanest text we have produced: between one suspect word in 456 and one in 3,403, chapter by chapter.
What has otherwise been repaired is damage done by the scanner, not by the translator. Running heads, page numbers and the printer’s furniture have been removed; words broken at a line ending have been rejoined; letters the scanner confused have been restored where the book’s own vocabulary or another copy settles the question. The 1903 spelling of Chinese names stands as Miner set it — Fen Chou Fu, Shansi, T’ai Ku — because it is hers and because the book is of its date; where this note and the book’s page name him in modern form, Fei Ch’i-hao is 费起鹤, of Tongzhou, 1879 to 1953.
Prepared by T.S. Baker Books, 2026.
Common questions
- Who actually wrote Two Heroes of Cathay?
- The autobiography at the heart of the book is Fei Ch’i-hao’s own first-person account. The missionary Luella Miner edited and framed the volume and added a sketch of K’ung Hsiang-hsi, but the narrative voice is Fei’s.
- What are the Boxer massacres the book describes?
- They were the killings of Christians and foreigners during the Boxer Uprising of 1900. Fei lived through the violence in Shanxi, where most of his missionary colleagues and fellow believers were martyred, and his escape is the dramatic center of the book.
A note on the text. The Story of Fei Ch’i-hao is in the public domain. What you’re buying is our edition: the careful typesetting and correction. The original text is also available free here.
That free text is already well proofread — we measure about 1.2 errors per 1,000 characters. What our edition adds is the typesetting, not a rescue: one clean file, in the formats above, without the archive boilerplate.
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